Study Guide

Hiccup!

Welcome to our Hiccup study guide. This guide tells you everything you need to know about the show and includes activities linked to the Australian curriculum. Happy learning!

The general capabilities are embedded within specific learning activities and can be identified with the following icons:

A note from the Directors

We’ve been lucky enough to tour all over the world with Windmill, specifically with work for early childhood audiences. For us, working on shows like Grug and Grug and the Rainbow allowed us to hone our craft as actors, but also develop a real love of interacting with children in the live space.

For Hiccup, we wanted to bring everything we loved about performing in theatre for young people into one show, while also throwing back to the type of entertainment that we loved as young people. In their frantic search for a hiccup cure, our cast of ridiculously loveable characters sing, they dance and fall in and out of calamity. A child’s imagination is a wonderful space to create in: the ability for children to become instantly immersed in something, to suspend disbelief and embrace the weird, wacky and wonderful, provided us with endless possibilities.

But beyond all of that, we really wanted to find a cure for the hiccups… fingers crossed!

Meet the Characters

Eddie

Eddie is a city-dweller who is in desperate need of some rest. The hustle and bustle of the city keeps him up all night, so he’s headed out to the bush for some peace and quiet. He’s packed mozzie spray, his insect guide and his best friend: a stuffed teddy bear named Lucky. He’s very cautious, very loving and more than a little gullible.

Koala

Koala is very small, very cute and very troubled. He just can’t seem to get rid of this case of the hiccups, which has sent him spiralling into a misanthropic mood. His newfound friends have to do their damndest to try and cure his hiccups and make him smile before sunrise

Quokka

Quokka is cheeky, sly and desperate to get his hands on shiny things. They’re a natural born leader with a lot of bravado. But their gregarious and gruff exterior is just a facade for a soft, gentle and exceptionally loving interior. Loyalty and friendship means everything to Quokka… more than shiny things, even.

Emu

Emu is tall, batty and exceptionally inventive. With a passion for science and building wacky contraptions, emu is always on the hunt for something that will make his creations pop and sizzle (literally). Emu is a curious bird and loyal friend who will do anything he can to help a stranger.

Meet the Creative Team

Ellen Steele

Co-Creator/Writer/Director

Ellen Steele is a theatre maker and performer based in Adelaide, South Australia. She is a founding member of isthisyours?, an all-female collective committed to creating new and unconventional performance. Since their inception in 2007, isthisyours? have created five original full scale works, toured nationally and won multiple awards. Their latest production was a world-first reworking of David Williamson’s The Club (An All-Female, 3 Actor Version) as part of State Theatre Company SA’s 2019 season.

Ellen has toured extensively throughout Australia, Asia and North America with companies including Windmill, State Theatre Company SA, Vitalstatistix, Slingsby, Belvoir, The Border Project, Aphids and Patch.

Jude Henshall

Co-Creator/Writer/Director

Jude graduated with Honours from Flinders University with a Bachelor of Creative Arts in 2006. Since then, she has worked extensively for flagship, independent and experimental theatre companies across Australia and internationally.

Companies include Bell Shakespeare, Ontrorend Goed, State Theatre Company of SA, Windmill Theatre Co and Patch Theatre. Jude is an associate member of The Border Project and a founding member of isthisyours? Film and television credits include Sunshine and Oranges, The Swimming Lesson, Yuri Shima, Wire Through the Heart and Rainshadow.

Jonathon Oxlade

Designer

Jonathon has designed set and costumes for Queensland Theatre, LaBoite Theatre, isthisyours?, Aphids, Arena Theatre Company, Polyglot, The Real TV Project, Polytoxic, Men of Steel, State Theatre Company South Australia, Belvoir, Sydney Theatre Company, Melbourne Theatre Company, Terrapin Puppet Theatre, Vitalstatistix and Barking Gecko.

He is the resident designer at Windmill Theatre Company. He has won a Sydney Theatre Award for Best Costume Design for Mr Burns and an AACTA award for his work on the film, Girl Asleep. 

 

Ross McHenry

Composer

Ross McHenry is a multi-award winning composer and bass player from Adelaide, South Australia. His original compositions encompass a broad range of influences including jazz, contemporary electronic and chamber music. Ross’ work reflects the unique and changing cultural landscape of Australian creative music and aims to explore the idea of modern Australian cultural identity within the context of an increasingly interconnected global musical landscape. Ross has performed extensively around Australia and the world at leading arts festivals and venues including Glastonbury, The Sydney Festival, The Adelaide Festival, WOMADelaide, the Falls Festival, Wellington International Jazz Festival and the Melbourne International Jazz Festival.

Chris Petridis

Lighting and Technical Designer

Chris is a lighting and technical designer. He completed his Technical Production course at the Adelaide Centre of the Arts. Since graduating, he has been working extensively and continuing to develop his experience across theatre, dance, and other live events both in Australia and overseas.

Chris has worked extensively with State Theatre Company South Australia, Australian Dance Theatre, Windmill Theatre Company, Theatre Republic, isthisyours?, Brink Productions and Tiny Bricks among many others.

 

 

Tamara Rewse

Puppet Maker & Consultant

Tamara has worked in numerous areas of the performing arts since 1997 including as a Director, Devisor, Maker and Singer. She has toured both nationally and internationally. She has also worked as both a performer and puppeteer for numerous shows.

Her credits include Piccasso and his Dog (Lemony S), Mr Freezy (Arena Theatre Company), Grug, Grug and the Rainbow (Windmill Theatre Co), COOP (Black Hole Theatre) and Tangle, We Built this City, Paper Planet, Tangle Weave, Forest Feast (Polyglot Theatre). Tamara is also a member of Men of Steel and was involved in their self-titled debut work, Men of Steel as well as Hard Rubbish. Her skills include making props and puppets for film, television and theatre.

Hiccup Cures

Hold your breath

Hold your breath for 30 seconds to keep the hiccups at bay. If 30 seconds isn’t enough (or is too much) we recommend trying to hold your breath for as long as you can.

Watch Now

Scream for 30 Seconds

We’ve read that if you scream continuously for 30 seconds it doesn’t give you a chance to hiccup and, thus, gives the hiccups the flick!

Watch Now

Get a big fright!

Getting shocked or surprised is equally as involuntary as a hiccup and, apparently, they act to cancel each other out. It helps to have a blue koala with this one.

Watch Now

Drink a glass of water

This one is very familiar. Some say to drink a glass of water upside down, others say to drink it without stopping, some say to do both at the same time. We’ve done all three, here.

Watch Now

Performance literacy and theatre etiquette

Students viewing live theatre can experience feelings of joy, sadness, anger, wonder and empathy. It can engage their imaginations and invite them to make meaning of their world and their place within it. They can consider new possibilities as they immerse themselves in familiar and not so familiar stories.

Watching theatre also helps students understand the language of the theatre. It is part of the holistic approach to developing student literacy. They learn to ‘read’ the work interpreting the gesture and movement of a performer; deconstructing the designers’ deliberate manipulation of colour, symbol and sound; and reflecting on the director’s and playwright’s intended meaning.

While viewing the show, students’ responses can be immediate as they laugh, cry, question and applaud. After the performance, it is also extremely valuable to provide opportunities for discussion, encouraging students to analyse and comprehend how these responses were evoked by the creatives through the manipulation of production elements and expressive skills.

Having a strong knowledge and understanding of theatre terminology will assist students with this process. Therefore, before coming to see Grug and the Rainbow with your students, explore the different roles involved in making a performance happen, from writing, directing and performing, to lighting, projection, set and costume design and construction.

Theatre Etiquette

Visiting the theatre is very exciting. There are some guidelines that students can follow regarding appropriate behaviour in the theatre and during the performance that will allow their visit to be even more memorable.  Prior to visiting the theatre prepare students for what they will experience as an audience member using the following questions:

Where can you sit?

  • An usher (front of house – FOH) will help you find your seat so you need to follow their directions.

How do you know when the performance begins?

  • The lights will dim and/or you might hear a voice-over or sound. That’s your cue that it has begun and it is time to settle and be quiet.

How is going to the theatre different to going to the movies or watching television in your loungeroom?

  • Something unique to theatre is that it is ‘live’ and the actors are real. You can hear and see the actors, and they can hear and see you.

What is the relationship between the audience and the performers?

  • As the actors can see and hear you, your responses to the performance show your appreciation to the actors. So, show your enjoyment!

Final points to remember:

  • turn off your mobile phone (even the vibration of a phone or lit screen is distracting);
  • avoid eating in the theatre and rustling paper;
  • cover coughs and sneezes;
  • don’t film or photograph the performance due to intellectual ownership.


Early Years Learning Framework



Learning Activities: F-2



Learning Activities: Years 3-4

Acknowledgements

Produced by Windmill Theatre Co. Developed and compiled by Drama Education Specialist Melissa Newton-Turner and Windmill Theatre Co.

The activities and resources contained in this document are designed for educators as the starting point for developing more comprehensive lessons for this work.

© Copyright protects this Education Resource. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions.

This resource is proudly supported by the South Australian Department for Education and the Lang Foundation.

 

  •  Lang Foundation