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Welcome to our Creation Creation Study Guide!
The general capabilities are embedded within specific learning activities and can be identified with the following icons:
The general capabilities are embedded within specific learning activities and can be identified with the following icons:
One of the real starting points of this project was looking at all of the different people that are in our community and thinking about how we all go about managing our lives and explaining the seemingly unexplainable. We’re all constantly creating meaning in different ways, every day – we all have different points of view, different ideas and beliefs about the world around us and kids are often a mashup of these things. This process of creation connects us, more than anything. This project is about bringing all of that wonderful difference onto the stage, and to have two incredible creators (Jonathon Oxlade and Fleur Elise Noble) use their powers of invention to work through all of those different points of view.
This is a show about us, about you. About the world you live in and have constructed for yourself, and about the marvellous powers of invention that you possess… even if you don’t 100% know it, yet.
We count ourselves incredibly fortunate to be the stewards of stories and ideas from all over the world and look forward to making a wonderful mess onstage. It’s going to be a lot of fun.
Co-Creator, Director
Rosemary Myers is the Artistic Director of Windmill Pictures. In 2021, she co-created and directed Beep and Mort.
In 2015, her first feature film Girl Asleep opened the 2016 Berlinale Generation 14plus and went on to win the MIFF Age Critic Prize 2016, the Grand Jury Prize at the 2016 Seattle Film Festival, 2016 CinefestOZ Film Prize and eight AACTA Award nominations including Best Film and Best Director. In 2020, the film was nominated for the Byron Kennedy AACTA for Best Indie Film of the past decade.
Before her role at Windmill Pictures for over 14 years, Rosemary was the Artistic Director of Windmill Theatre Company. A multi-Helpmann Award nominated theatre director, her productions have toured to prestigious venues and festivals across the world, including Giffoni Film Festival, Rooftop Film Festival New York, Sydney Opera House, New York’s New Victory Theatre and London’s Southbank Centre, among others. In 2017 she was awarded the prestigious Australia Council Theatre Award.
Co-Creator, Designer
An award-winning designer for theatre, film and television, Jonathon has designed for companies including: Sydney Theatre Company, Melbourne Theatre Company, Queensland Theatre, State Theatre Company of South Australia (STCSA), Belvoir Theatre, LaBoite, Bell Shakespeare, isthisyours?, Aphids, Arena Theatre Company, Polyglot, The Real TV Project, Polytoxic, Men of Steel, Lemony S Puppet Theatre, Terrapin Puppet Theatre, Vitalstatistix, Barking Gecko, The Border Project, Dead Puppet Society, The Last Great Hunt, Restless Dance Theatre, The Escapists and Sandpit. Jonathon was festival designer for the Out of the Box Festival and Brisbane Festival’s Arcadia.
Recent theatre credits include: Bluey’s Big Play (AKA Productions/BBC Studios/QPAC/Windmill); Oklahoma (Black Swan Theatre Company) and Dance Nation (STCSA/Belvoir).
Jonathon designed the film Girl Asleep (Windmill) for which he won an AACTA Award (Best Costume Design), received an AACTA nomination (Best Production Design) and won two APDG Awards (Best Production Design and Best Costume Design). The same year, he won a Sydney Theatre Award for Best Costume Design for Mr Burns (Belvoir/STCSA); and a PAWA for Mr Irresistible for The Great Last Hunt.
Co-Creator, Director, Performer
Fleur is a maker of all things visual. She works with the mediums of drawing, sculpture, animation, film, puppetry, projection and performance to create 3-dimensional projection performances, akin to giant paper pop-up books that come to life. She studied on scholarships at art schools in Adelaide (ACSA) and New York (NYSS). Her most renowned work to date is her visual performance 2-Dimensional Life of Her, which was invited to perform at over 40 venues and festivals around the world. Her second major production ROOMAN premiered in Melbourne in 2017, after which it went on tour to Europe, the UK and NZ. Fleur has also spent many years working with the Sharing Stories Foundation, developing projects with young people and elders in indigenous communities.
Fleur has won numerous prizes and awards for her work, including a prestigious Bessie (New York Dance and Theatre Award) for most Outstanding Visual Design.
Co-Creator, Interviewer, Scriptwriter
Roslyn Oades is an award-winning theatre-maker and documentary artist. She is best known for pioneering work in the field of headphone-verbatim theatre. Her original works for stage include: Hello, Goodbye & Happy Birthday, I’m Your Man, In a Deep Dark Forest, Cutaway–A Portrait, Stories of Love & Hate and Fast Cars & Tractor Engines.
She also creates site-based audio experiences, including: Cell 26 an audio work for a prison bed, Sea Stories an audio work for sunrise and The Nightline a listening club for insomniacs. She harbors an ongoing fascination with innovative creative non-fiction forms of art making.
Lighting & Technical Designer
Chris is a lighting and video designer working across theatre, dance, and other live events in Australia and internationally.
Recently, Chris designed the lighting for New Zealand’s World of WearableArt 2019 arena show and 13 Ways to Look at Birds featuring Paul Kelly, James Ledger, Alice Keath and the Seraphim Trio.
Lighting design credits include: A View from the Bridge, Brothers Wreck, In The Club, Terrestrial, Mr Burns, Red Cross Letters, Eh Joe for The Beckett Triptych, Gorgon, Masquerade, The Kreutzer Sonata, Maggie Stone and Little Bird (State Theatre Company of South Australia), Lines (Theatre Republic), Angelique (isthisyours?), Long Tan (Brink Productions), Deluge (Tiny Bricks). The Beginning of Nature Part 1, Ignition 2016 (Australian Dance Theatre). Zizanie, Touched (Restless Dance Theatre), Songs for Those Who’ve Come Across the Seas, Emil and the Detectives, The Mouse, The Bird and The Sausage (Slingsby Theatre Company), Beep, Grug and the Rainbow, Big Bad Wolf, Story Thieves (Windmill Theatre Company), Never Did Me Any Harm (Force Majeure), Cher, Quiet Faith (Vitalstatistix), Bitch Boxer, Seawall (Flying Penguin).
Composer & Sound Designer
Harry creates eclectic music/sound design for screen and live performance. In 2020, he composed ROBOROVSKI, the animated short film directed by Dev Patel and Tilda Cobham-Hervey which premiered at the Adelaide Film Festival. Other notable works include feature film, Girl Asleep, directed by Rosemary Myers and the short film, A Field Guide to Being a 12 Year Old Girl directed by Tilda Cobham-Hervey (Crystal Bear).
Theatre credits include Creation Creation and Big Bad Wolf (Windmill Theatre Company) and Atlantis (Belvoir). For Back to Back Theatre he composed the original score for the internationally acclaimed video project, The Democratic Set and the third iteration of the video series, Radial, created in collaboration with the National Theatre of Scotland.
In 2021, Harry developed the original score for Wandering Stars, an immersive public sculpture/sound work for the inaugural Rising Festival. He is also the Composer of Windmill Pictures’ children’s series Beep and Mort.
Jox and Fleur are our unreliable experts. Two brilliant artists who build, battle and brawl their way through your most burning questions. Here, they tell us all about the challenge of bringing Creation Creation to the stage.
Director Rose Myers and documentary artist Roslyn Oades talk us through the inspiration for Creation Creation, introduce us to the marvellous world of documentary theatre and tell us about some of the amazing people they’ve met throughout the process.
Students viewing live theatre can experience feelings of joy, sadness, anger, wonder and empathy. It can engage their imaginations and invite them to make meaning of their world and their place within it. They can consider new possibilities as they immerse themselves in familiar and not so familiar stories.
Watching theatre also helps students understand the language of the theatre. It is part of the holistic approach to developing student literacy. They learn to ‘read’ the work, interpreting the gesture and movement of a performer; deconstructing the designers’ deliberate manipulation of colour, symbol and sound; and reflecting on the director’s and playwright’s intended meaning.
While viewing the show, students’ responses can be immediate as they laugh, cry, question and applaud. After the performance, it is also extremely valuable to provide opportunities for discussion, encouraging students to analyse and comprehend how these responses were evoked by the creatives through the manipulation of production elements and expressive skills.
Having a strong knowledge and understanding of theatre terminology will assist students with this process. Therefore, before coming to see Creation Creation with your students, explore the different roles involved in making a performance happen, from writing, directing and performing, to lighting, projection, set and costume design and construction.
Visiting the theatre is very exciting. There are some guidelines that students can follow regarding appropriate behaviour in the theatre and during the performance that will allow their visit to be even more memorable. Prior to visiting the theatre, prepare students for what they will experience as an audience member using the following questions:
Where can you sit?
How do you know when the performance begins?
How is going to the theatre different to going to the movies or watching television in your loungeroom?
What is the relationship between the audience and the performers?
Final points to remember: