The story of three awkward teens and their hormone-fuelled quest for social acceptability.
A Windmill Theatre Co production
This is a story of three teenage boys. They’re going to the school dance. They’re on a mission. But they are losers
First, there’s Matt. He’s 15, although he doesn’t look it. Then there’s Luke, also 15. Luke likes dancing. And for a loser, he’s pretty good at it. Neither Matt nor Luke has a girlfriend (if you hadn’t already guessed).
Then, there’s Jonathon. Even though he’s taller, he’s only 14. He’s excited about the dance – as long as he doesn’t run into Derek Sturgess, who threatened him with certain death if he appeared tonight.
These three are the awkward kids. The invisible teens. Fuelled by a diet of raging hormones and mee goreng noodles, they exist in a misfit realm, navigating complex waters with little success.
A highly personal work that, just like its central protagonists, is funny, sad, scary, weird, really stupid, endearing and repulsive.
Under Rose’s leadership as Artistic Director, Windmill creates and presents work that is inspired by the vibrancy, sophistication and inventiveness of young people and the exhilarating challenges they pose to creating theatre of genuine relevance in this modern time. A multi-Helpmann Award nominated director, her productions regularly visit leading stages and festivals around Australia and the world, including the Sydney Opera House, Hong Kong’s Arts and Leisure Centre and New York’s New Victory Theatre. Her directing credits for Windmill include Pinocchio, The Wizard Of Oz, Fugitive, School Dance, Big Bad Wolf and Girl Asleep. Prior to Windmill, Rosemary was the Artistic Director of Arena Theatre Company and Artistic Director of Queensland Performing Arts Centre’s Out of the Box Festival in 2010.
Matthew is an actor and writer who has worked extensively in theatre, film and television for the past 19 years. As an actor Matt has performed for Belvoir many times, most recently in Cinderella, The Book Of Everything and Conversation Piece. His film credits include: GIRL ASLEEP, THE GREAT GATSBY, AUSTRALIA, YOU CAN’T STOP THE MURDERS and MOULIN ROUGE. Matt’s collaboration with Windmill has resulted in four plays with Girl Asleep being the most recent. Its predecessors are the Helpmann and Sydney Theatre Awards winning School Dance and Big Bad Wolf. Matt’s feature film adaptation of his play Girl Asleep (supported by The Hive Production Fund) debuted at the Adelaide Film Festival and went on to open the 2016 Generation 14 Plus Program at Berlin International Film Festival. Matt’s latest play Fight with All Your Might the Zombies of The Night, winner of the 2015 Foundation Commission Award, will premiere at ATYP in November 2016. Matt was among the seven Sidney Myer Creative Fellows chosen in 2012.
Original Soundtrack, Cast
Luke creates highly detailed soundtracks for theatre, dance and film, working across all areas of music composition, sound design, foley and sound effects editing. Working under his business name motion laboratories, Luke has composed and produced soundtracks for many Australian and international artists & companies. Various credits include: ʻGʼ (Australian Dance Theatre), Double Think (Byron Perry), Glow (Chunky Move), I left my shoes on warm concrete and stood in the rain (Gabrielle Nankivell), The Maids (Sydney Theatre Company), Wildebeest (Sydney Dance Company), Fugitive, School Dance and Girl Asleep (Windmill Theatre Company).
Jonathon studied Illustration and Sculpture at The Queensland College of Art and has designed sets and costumes in Australia for Windmill Theatre Co, Queensland Theatre, LaBoite Theatre, Is This Yours?, Aphids, Circa, Arena Theatre Company, Polyglot, The Real TV Project, Polytoxic, Men of Steel, Lemony S Puppet Theatre, Terrapin Puppet Theatre, Vitalstatistix, Barking Gecko, Bell Shakespeare, The Border Project, STCSA, Sydney Theatre Company, The Escapists, Sandpit and Belvoir St Theatre. Jonathon has also designed for venues and festivals including the Sydney Opera House, Melbourne Festival, Brisbane Festival, Asia TOPA, Adelaide Festival and Fringe, The Malthouse, Performance Space and the Queensland Art Gallery. He illustrated the picture book The Empty City for Hachette Livre/Lothian and the Edie Amelia series by Sophie Lee. Jonathon is currently the Resident Designer at Windmill Theatre Co and won his first AACTA Award for Costume Design in 2016 for his work on Windmill’s debut film, Girl Asleep. Jonathon is also a recipient of the 2017 Sidney Myer Creative Fellowship.
Richard is a freelance lighting designer who has lit productions for Melbourne Theatre Company, Sydney Theatre Company, Malthouse Theatre, Victorian Opera, Windmill Theatre Co, Arena Theatre Company, NICA, The Darwin Festival, Stuck Pig’s Squealing, Chambermade, Rawcus, Red Stitch, Polyglot, Melbourne Worker’s Theatre, Aphids and many productions at La Mama Awards. Richard has won 4 Green Room Awards including the Association’s John Truscott Prize for Excellence in Design (2004). He has also been nominated for 7 other Green Room Awards.
Working independently and commissioned by leading dance companies and training institutions, Gabrielle also maintains a collaborative creative practice with composer/performer Luke Smiles. Her work has been widely presented across Australia, Europe and Asia. 2016 commissions include the critically acclaimed Wildebeest for Sydney Dance Company, Thorn for Tasdance and Focus for Frontier Danceland Singapore. Gabrielle also provides choreography and movement consultancy across various stage and film productions. Recent engagements include State Theatre Company of South Australia’s The Popular Mechanicals, Windmill Theatre’s award-winning School Dance, Girl Asleep and Girl Asleep the film. Gabrielle honed her dance career in Europe performing for Belgian artists Alexander Baervoets and Ultima Vez/Wim Vandekeybus and collaborating with Jurij Konjar (Slovenia), Raul Maia (Portugal) and Thomas Steyaert (Belgium).
Chris studied Electronic Design and Interactive Media at Swinburne and his work with the moving image has led to several creative collaborations for live performance and theatre, including Starchaser for Arena Theatre Company, Half Real for The Border Project, Wizard of Oz and School Dance for Windmill Theatre, Girl Who Cried Wolf for Arena Theatre Company, Criminology for Arena Theatre Company (co-production with Malthouse Theatre), and Skid 180 with Arena Theatre Company (co-production with Contact). Chris runs the creative design practise Studio Organic, an interdisciplinary studio working in visual design.
Sound System Designer
Andrew is a founding member of theatre ensemble The Border Project and a sound engineer at the Adelaide Festival Centre. His credits as composer/sound designer include Despoiled Shore Medeamaterial Landscape with Argonauts (The Border Project), Disappearance (The Border Project), The War (The Border Project), The Rope Project (Brink Productions), Please Go Hop (The Border Project), One Long Night In The Land Of Nod (Floogle Productions), Highway Rock ‘n’ Roll Disaster (The Border Project), The Birthday Party (Flying Penguin Productions), The Homecoming (Floogle Productions), Trouble On Planet Earth (The Border Project). Andrew was sound designer for Helly’s Magic Cup (Windmill Theatre Co) and Highway Rock ‘n’ Roll Disaster (Sydney Theatre Company).