Elena studied drama at the National Institute of Dramatic Art (NIDA). Since graduating, Elena’s credits include 4:48 Psychosis, This Uncharted Hour (Brink Productions), Translations (Malthouse Theatre) and Assassins (Flying Penguin and AFTC).
She has also performed in Features of Blown Youth, Uncle Vanya, Central Park West (State Theatre Company of South Australia), Mike Leigh’s Greek Tragedy (Company B Belvoir), urFaust (Sydney Theatre Company) and other work for Sidetrack Performance Group, Parallelo and the NIDA Professional Company. She has had lead guest roles in TV series Blue Heelers, Water Rats, All Saints, Murder Call, Children’s Hospital and Snobs, as well as regular roles in the ABC series Heartbreak High and the award-winning Marking Time written by John Doyle.
Matt is a Flinders Drama Centre graduate, ensemble member of award-winning independent theatre company five.point.one and a Critics’ Circle emerging artist of the year recipient. Matt has appeared in many productions for Windmill Theatre Co. Rumpelstiltskin (co-produced with State Theatre Company South Australia [STCSA]), toured Grug through China and North America, including a one-month New York season in 2013, appeared in Grug and The Rainbow and The Girl Who Cried Wolf. Other highlights include Volpone (Or The Fox), Between Two Waves, Babyteeth, Pornography and The Give And Take (STCSA), The Front (Adelaide Cabaret Festival), Once Upon a Midnight (OzAsia Festival), The Bureau of Complaints (AJZ Productions), No Hello (Duende), Van Badham’s Notoriously Yours, The Lake, The Share and That Face (five.point.one).
Ezra graduated from Adelaide College of Arts in 2006. Since graduating, Ezra has featured in numerous screen and stage productions, the most notable being his portrayal of The Lion in Windmill Theatre Co’s production of The Wizard of Oz.
The play toured to Sydney Theatre Company and was nominated for 6 Helpmann Academy Awards. In 2016 Ezra returned to the musical stage with his loveable performance of the ‘Surprise Character’ in State Theatre Company South Australia and Windmill Theatre Co’s new co-produced musical Rumpelstiltskin. Stage credits include Russian Eggflip, The Life of Galileo, Touch me I’m Sick, King Lear, Bye Bye Birdie, Under Milkwood, Littlewing and Twinkle Toes, Vin, The Beginners Guide to Pirates, Helly’s Magic Cup, Boom Bah!, Wizard of Oz, The Water Show, and The Tale of Shaggles and Petrookio, the book show, Me N’ Me Mates, Rumpelstiltskin, Mr Burns.
Ashton is a theatre-maker based in Adelaide. She graduated from Flinders University Drama Centre in 2009, with First Class Honours, the Malcolm Fox Drama Prize and a University Medal. She has since worked as a performer and devisor on film and theatre. She has worked with both independent and established companies. She has also studied intensively with Shakespeare and Company in the USA. Her credits include Vitalstatistix Theatre Company: Cutaway: A Ceremony (2013), Future Present (2014), MC for Adhocracy (2015); Vitalstatistix and HotHouse Theatre: Quiet Faith (2014/2015); STCSA: Othello (2014), Tiny Bricks and Brink Productions: Deluge (Adelaide Festival, 2016), Windmill Theatre Company: Grug and the Rainbow (2016). She can also be seen in Gravity Films and Epic Films’ Goober, to premiere on abc iview in 2016.
Alirio is a multi-award-winning director and theatre maker who has created numerous projects with a variety of companies all across Australia. He is a founding member of The Border Project and has also co-created and performed in all of their productions. Alirio directed, wrote and performed in Trapped (Winner 2011 Graham Smith Peace Trust Award) and Sons & Mothers (Winner 2012 Best Theatre Production, Adelaide Festival Centre Award and Adelaide Critics Circle Best in Fringe Award). In 2013, Alirio wrote and performed in The Book of Loco (Winner 2013 Adelaide Fringe Best Theatre Production, Adelaide Festival Centre Award). He wrote and directed The Migration Project for the Come Out Festival in 2013.
Jonathon studied Illustration and Sculpture at The Queensland College of Art and has designed sets and costumes in Australia for Windmill Theatre Co, Queensland Theatre, LaBoite Theatre, Is This Yours?, Aphids, Circa, Arena Theatre Company and many more. Jonathon has also designed for venues and festivals including the Sydney Opera House, Melbourne Festival, Brisbane Festival, Asia TOPA, Adelaide Festival and Fringe, The Malthouse, Performance Space and the Queensland Art Gallery. He illustrated the picture book The Empty City for Hachette Livre/Lothian and the Edie Amelia series by Sophie Lee. Jonathon is currently the Resident Designer at Windmill Theatre Co and won his first AACTA Award for Costume Design in 2016 for his work on Windmill’s debut film, Girl Asleep. Jonathon is also a recipient of the 2017 Sidney Myer Creative Fellowship.
Composer, Musical Director
Jethro is a composer, musician and sound designer known for his expansive and highly layered film, theatre and dance scores. He is a multi Green Room Award winner and nominee, working with some of Australia’s leading major and independent companies. These include Melbourne Theatre Company, Malthouse Theatre, Belvoir, Arena, Windmill Theatre Co, Melbourne Symphony Orchestra, Australian Dance Theatre and more. Jethro won Green Room Awards for Moth (Malthouse/Arena), Goodbye Vaudeville Charlie Mudd (Malthouse/Arena) and The Bloody Chamber (Malthouse). He was the Musical Director and Sound Designer for six-time Helpmann nominated musical Wizard of Oz and multi-award winning Pinocchio.
Gavin’s theatrical and TV lighting designs include: Hot Shoe Shuffle (UK tours), Tap Dogs (London West End & Worldwide tours), Kat and the Kings (UK and Europe), Mum’s the Word (London West End), Gumboots (London West End & Worldwide tours).
Gavin has also done the lighting design for The Importance of Being Earnest (Australian Tour), Mendelssohn’s Dream (ASO – STCSA), Oliver, Follies, Brigadoon, Hedda Gabler, Half a Sixpence, Jack and the Beanstalk, Sweeny Todd, Girls On Tap, Circus days, Circus Nights (Channel 4 TV) Back to Reality (Channel 4TV UK- Associate), The Games (Chan 4TV UK – Associate). His music and event design highlights include: The Darkness (UK arena tours), Diana Ross (Capitol Theatre, Sydney), Human Nature Arena Tour (Australian Tour), Le Grand Cirque –Aerial Dreams (Sydney Opera House – Production Designer), Junglehammer Featuring IoTA, Australia Day Celebrations 2007-2009, (Sydney, Darling Harbour), The Illusionists (Sydney Opera House). Gavin has worked extensively in the industry for the past 24 years as a Lighting Designer, Lighting Programmer and Production Manager.
Chris completed his Technical Production course at the Adelaide Centre of the Arts. Since graduating, he has been working extensively and continuing to develop his experience across theatre, dance, and other live events both in Australia and overseas. Chris has worked on State Theatre Company South Australia’s The Kreutzer Sonata, Maggie Stone and Little Bird, Slingsby Theatre Company’s The Mouse, The Bird and the Sausage, Torque Show’s MALMO, The Border Project’s Half Real, Ludwig’s Fleck and Flecker and five.point.one’s Muff. Chris also worked on If There was a Colour Darker than Black, I’d Wear It, a multimedia performance project for Country Arts SA. He has worked in association with Geoff Cobham on a number of projects including creating the visual aesthetic for Force Majeure’s Never Did Me Any Harm using lights and video. Chris has been the lighting designer for Windmill Theatre Co’s Big Bad Wolf and The Story Thieves.
Sound System Designer
Andrew is a founding member of the The Border Project and a sound engineer at the Adelaide Festival Centre. Credits include Despoiled Shore Medeamaterial Landscape with Argonauts (The Border Project) and Disappearance (The Border Project).Andrew has also worked on the productions of The War (The Border Project), The Rope Project (Brink Productions), Please Go Hop (The Border Project), One Long Night In The Land Of Nod (Floogle Productions), Highway Rock ‘n’ Roll Disaster (The Border Project), The Birthday Party (Flying Penguin Productions), The Homecoming (Floogle Productions), Trouble On Planet Earth (The Border Project). Andrew was sound designer for Helly’s Magic Cup (Windmill Theatre Co) and Highway Rock ‘n’ Roll Disaster (Sydney Theatre Company).
Chris currently lives and draws in Melbourne, Australia. He has created illustration and animated pieces for diverse clients ranging from Nike Jordan and The Chicago Bulls in the sports world to fashion projects for Valentino and L’Officiel Hommes magazine. He has designed t-shirts for Screamdance, animates characters, carves creatures out of wood and was also once a member of the video department at Fabrica Creative Research Centre in Italy. Chris has completed a Bachelor of Visual Communications (Illustration) at UniSA where he has taught an animation course and occasional illustration classes.
Carol Wellman Kelly
Carol was made in Australia and studied dance at the Victorian College of the Arts. She has extensive experience in performing, teaching and choreographing both nationally and internationally. From 1992 – 1999, she worked as a freelancer in London. She was the assistant director for Garry Stewart and ADT (2000-2008), rehearsal director for Tasdance, Artistic advisor and Project manager Restless dance Theatre, Movement lecturer Flinders University Drama department, member Board of Directors, Australia Council, Ausdance and SA and Audio Describer for theatre and dance. Carol’s work with Windmill Theatre Co includes The Wizard of Oz, Girl Who Cried Wolf, Pinocchio, Big Bad Wolf and Rumpelstiltskin.
Paul White is one of Adelaide’s most sought after musicians, producers, composers, and educators. He has worked with an extensive list of the who’s who of Australian music including Brian Cadd, Stevie Wright, Troy Cassar Daly, The Party boys and many more. He has also been in his own projects like Goose, Lucifer’s Lounge and the Hammond Eggs. Paul has composed music for short films, commercials, and video games and also produces, engineers and co-writes music with other artists. Paul has toured extensively both nationally and internationally with his music and works regularly in Adelaide not only as a gigging musician but also as a session keyboard player for many recording artists.