Rosemary Myers is the Artistic Director of Windmill Pictures. In 2021, she co-created and directed Beep and Mort.

In 2015, her first feature film Girl Asleep opened the 2016 Berlinale Generation 14plus and went on to win the MIFF Age Critic Prize 2016, the Grand Jury Prize at the 2016 Seattle Film Festival, 2016 CinefestOZ Film Prize and eight AACTA Award nominations including Best Film and Best Director. In 2020, the film was nominated for the Byron Kennedy AACTA for Best Indie Film of the past decade.

Before her role at Windmill Pictures for over 14 years, Rosemary was the Artistic Director of Windmill Theatre Company. A multi-Helpmann Award nominated theatre director, her productions have toured to prestigious venues and festivals across the world, including Giffoni Film Festival, Rooftop Film Festival New York, Sydney Opera House, New York’s

New Victory Theatre and London’s Southbank Centre, among others. In 2017 she was awarded the prestigious Australia Council Theatre Award.

Julianne is a playwright with numerous stage and screen credits including Blue Heelers (Southern Star) and Backberner (ABC-TV Sydney). She consults as a dramaturg for theatre companies throughout Australia and lectures in story design at Victoria University.

Julianne also teaches comedy writing for Swinburne University and writes features for The Age. Julianne was dramaturg on the Arena Theatre multimedia trilogy Autopsy, Mass and Panacea, which won the 1999 ASSITEJ President’s Award for Best in the World, presented in Norway. Both Autopsy and her highly acclaimed first play, The Women There, have toured Canada as invitees of major theatre festivals. Julianne wrote Arena Theatre’s Eat Your Young that toured to Taiwan and Australian capital cities. For Windmill Theatre Co, she has written Pinocchio and Rumpelstiltskin.

Spanning an extensive career, Paul is best known as a theatre, concert and cabaret performer. His theatre highlights include Angela’s Kitchen, Little Bird, The Threepenny Opera, Boulevard Delirium, Three Furies, The Rocky Horror Show and All About My Mother.

He has worked on these productions with various state and independent theatre companies throughout Australia. Paul has also worked extensively internationally including in New York, London, Vienna, Shanghai and Hong Kong. He appeared in a leading role in the Australian feature film The Boy Castaways, as well as the telemovie Carlotta (2013). He has won five Helpmann Awards, a Green Room Award, a Film Critics Circle Award and the 2010 Sidney Myer Individual Performing Arts Award.

Michaela first studied at the Adelaide Conservatorium of Music before moving to the UK and going on to obtain a Masters in Musical Theatre at Mountview Academy of Performing Arts in London, performing in many well-known venues around the world.

These include Too2Much in Soho and Cabaret Confidential in Covent Garden. In addition to recently winning the International Cabaret Contest Michaela is the co-writer and star of the successful stage show Exposing Edith about the life and songs of Edith Piaf. The show has appeared to sell out audiences in Adelaide Cabaret Festival, Auckland Cabaret Festival, Melbourne Cabaret Festival, Noosa Long Weekend and Tasmanian Festival of Voices. She has performed with one of Broadway’s most sophisticated songwriters, Jason Robert Brown as well as Australia’s own Tyran Park.

Mitchell holds four Helpmann Awards, three Sydney Theatre Awards and two Green Room Awards for his work as an actor, singer and director.

Mitchell’s stage credits include Mr Burns: A Post-Electric Play, The Government Inspector, Angels in America, Strange Interlude, Snugglepot and Cuddlepie, The Laramie Project, A View from the Bridge, Dead Heart (Belvoir), The Resistible Rise of Arturo Ui, Arms And The Man, Romeo And Juliet, Summer Rain, Harbour, The Republic Of Myopia, Mourning Becomes Electra, Tartuffe, Dead White Males, The Cafe Latte Kid, Six Degrees Of Separation (STC), Pinocchio and Rumpelstiltskin (Windmill Theatre Co/STCSA) and many more. Commercial musical credits include A Funny Thing Happened On The Way To The Forum, Assassins, Avenue Q, Follies and Little Shop Of Horrors.

He holds two AFI nominations for his work in Australian feature films. His film and TV highlights include Dance Academy, Holding The Man, Gettin’ Square, The Bank, Strange Fits Of Passion, Dark City and more.

Elena is an award-winning actor, writer and director based in Adelaide, South Australia. A graduate of the National Institute of Dramatic Art (NIDA), Elena has worked with State Theatre Company South Australia, Theatre Republic, Windmill Theatre Company, Brink Productions, Bell Shakespeare, Malthouse Theatre, Flying Penguin, Belvoir and Sydney Theatre Company among many others.

Her plays have been presented by State Theatre Company South Australia and Yirra Yaakin. Her screen credits include The Hunting, Irreverent, Heartbreak High, Marking Time, Blue Heelers, Water Rats, All Saints, Murder Call, Children’s Hospital and Snobs.

In 2023, she was a Story Consultant with Highview productions, where she wrote and directed her first short film Blame the Rabbit.

Sheridan is an actor, playwright, singer and comedienne, graduating from NIDA in 2006. Her musical Songs for the Fallen won Best Musical, and Outstanding actress at the New York Music Theatre Festival in 2015, and has toured Australia and New Zealand. She collaborated with UK cult band The Tiger Lillies on Cockatoo Island for the Biennale of Sydney, and appeared with John Cleese in the Just for Laughs Festival, Sydney Opera House.

Her theatre credits include Muriel’s Wedding the Musical (STC) The Sugar House, The Dog/The Cat (Belvoir), Girl Asleep (Windmill), North by Northwest, The Beast, and The Speechmaker (MTC), Gaybies (Darlinghurst), Kill Climate Deniers, Jump for Jordan (Griffin), 80 Minutes No Interval (Old Fitz), Fiddler on the Roof, Carmen and My Fair Lady (Opera Australia), An Officer & a Gentleman (GFO), Threepenny Opera, Miss Julie, Cabaret, The Bald Soprano, Shafana & Aunt Sarrinah, Frog & Smudge and DreamSong (Arts Centre Melbourne).

A multi-award-winning artistic director and theatre maker, Alirio Zavarce was born in Caracas, Venezuela and migrated to Australia in 1992, graduating from the Flinders University Drama Centre in 2000. He has numerous performance credits with theatre companies across Australia including Sydney Theatre Company, Victorian Opera, Malthouse and State Theatre Company South Australia.

Alirio is the Artistic Director of AJZ Productions, True North Youth Theatre Ensemble and No Strings Attached Theatre of Disability. Alirio wrote and directed Trapped and Sons & Mothers, and wrote and performed in the semi-autobiographical The Book of Loco. He also directed A Kid Like Me as part of the 2015 Come Out Festival. He represented Australia in the Worlds Festival for Children’s Theatre in Canada in 2016, and won both a Ruby Award and an Awgie Award in the same year.

Alirio is currently developing three works: The Tower of Babel, The Book of Errors and I Forgot to Remember To Forget, which premiered at the True Colours Festival in Singapore, and will make its Australian premiere in 2019.

Jonathon has designed set and costumes for Queensland Theatre, LaBoite Theatre, isthisyours?, Aphids, Arena Theatre Company, Polyglot, The Real TV Project, Polytoxic, Men of Steel, Lemony S Puppet Theatre, Terrapin Puppet Theatre, Vitalstatistix and Barking Gecko.

He has also worked with Bell Shakespeare, The Border Project, State Theatre of South Australia, Dead Puppet Society, The Last Great Hunt, Sydney Theatre Company, The Escapists, Melbourne Theatre Company, Sandpit, Belvoir St Theatre and Windmill Theatre Co, where he is resident designer. Jonathon has received numerous awards. Most recently in 2016, Jonathon was awarded the Sidney Myer Creative Fellowship and received APDG awards for both Best Production Design and Best Costume Design for Girl Asleep, and received an AACTA award for best Costume for Girl Asleep.

In 2017, he received the Sydney Theatre Award for Best Costume Design for Mr Burns.

Jethro is a composer, musician and sound designer known for his expansive and highly layered film, theatre and dance scores. He is a multi Green Room Award winner and nominee, working with some of Australia’s leading major and independent companies.

These include Melbourne Theatre Company, Malthouse Theatre, Belvoir, Arena, Windmill Theatre Co, Melbourne Symphony Orchestra, Australian Dance Theatre and more. Jethro won Green Room Awards for Moth (Malthouse/Arena), Goodbye Vaudeville Charlie Mudd (Malthouse/Arena) and The Bloody Chamber (Malthouse). He was the Musical Director and Sound Designer for six-time Helpmann nominated musical Wizard of Oz and multi-award winning Pinocchio.

Gavin’s theatrical and TV lighting designs include: Hot Shoe Shuffle (UK tours), Tap Dogs (London West End & Worldwide tours), Kat and the Kings (UK and Europe), Mum’s the Word (London West End), Gumboots (London West End & Worldwide tours).

Gavin has also done the lighting design for The Importance of Being Earnest (Australian Tour), Mendelssohn’s Dream (ASO – STCSA), Oliver, Follies, Brigadoon, Hedda Gabler, Half a Sixpence, Jack and the Beanstalk, Sweeny Todd, Girls On Tap, Circus days, Circus Nights (Channel 4 TV) Back to Reality (Channel 4TV UK- Associate), The Games (Chan 4TV UK – Associate). His music and event design highlights include: The Darkness (UK arena tours), Diana Ross (Capitol Theatre, Sydney), Human Nature Arena Tour (Australian Tour), Le Grand Cirque –Aerial Dreams (Sydney Opera House – Production Designer), Junglehammer Featuring IoTA, Australia Day Celebrations 2007-2009, (Sydney, Darling Harbour), The Illusionists (Sydney Opera House).

Gavin has worked extensively in the industry for the past 24 years as a Lighting Designer, Lighting Programmer and Production Manager.

Chris is a lighting and video designer from Adelaide, working across theatre, dance, and other live events in Australia and internationally.

Chris has worked with renowned arts organisations including State Theatre Company of South Australia, Theatre Republic, Is This Yours, Australian Dance Theatre, Brink Productions, Restless Dance Theatre, Slingsby Theatre Company, Force Majure, Windmill Theatre Company and Vitalstatistix.

Chris recently worked on the inaugural Illuminate Adelaide Festival’s Light Cycles in the Adelaide Botanic Gardens crafted by the world-leading studio, Moment Factory. Other recent credits include Carla Lippis’ Mondo Psycho for WOMAD 2022, Theatre Republic’s How Not To Make It In America and Windmill Theatre Company’s Creation Creation.

Chris Edser currently lives and draws in Adelaide, Australia. He has worked in a diverse range of areas – from theatre to sports, classical music to novelty rock bands, wine to beer – so you’ll probably find something to talk to him about.

Chris animates characters, carves things out of wood, was once a member of the video department at Fabrica Creative Research Centre in Italy, and previously designed t-shirts for Screamdance. Chris has completed a Bachelor of Visual Communications (Illustration) at UniSA where he has since taught an animation course and occasional illustration classes. His previous theatre work includes State Theatre Company South Australia and Windmill Theatre Co’s Rumpelstiltskin and Windmill Theatre Co’s Scotland tour of Baba Yaga.

Carol was made in Australia and studied dance at the Victorian College of the Arts. She has extensive experience in performing, teaching and choreographing both nationally and internationally. From 1992 – 1999, she worked as a freelancer in London.

She was the assistant director for Garry Stewart and ADT (2000-2008), rehearsal director for Tasdance, Artistic advisor and Project manager Restless dance Theatre, Movement lecturer Flinders University Drama department, member Board of Directors, Australia Council, Ausdance and SA and Audio Describer for theatre and dance. Carol’s work with Windmill Theatre Co includes The Wizard of Oz, Girl Who Cried Wolf, Pinocchio, Big Bad Wolf  and Rumpelstiltskin.

Paul White is one of Adelaide’s most sought after musicians, producers, composers, and educators. He has worked with an extensive list of the who’s who of Australian music including Brian Cadd, Stevie Wright, Troy Cassar Daly, The Party boys and many more.

He has also been in his own projects like Goose, Lucifer’s Lounge and the Hammond Eggs. Paul has composed music for short films, commercials, and video games and also produces, engineers and co-writes music with other artists. Paul has toured extensively both nationally and internationally with his music and works regularly in Adelaide not only as a gigging musician but also as a session keyboard player for many recording artists.