More stories based on the picture book character created by Ted Prior.
Grug began his life as the top of a Burrawang tree that fell to the ground. Fascinated by the world around him and full of determination, Grug embarks on an epic journey to reach the rainbow that always seems just beyond his grasp.
Will our grassy little friend find what he’s looking for? And what fun and adventure will he have along the way?
Featuring exquisite puppetry, plenty of surprises and more of the gentle storytelling that has delighted audiences around the world, this show has been especially created for our littlest theatregoers (and Grug fans of all ages).
I don’t imagine there will be many occasions in my career that I’ll get to work with one of my childhood heroes – but creating this show was one of them! It was an exciting privilege to create the first Grug show with Windmill Theatre Co, and was a very rare opportunity to create Grug and the Rainbow as a sequel. I was a huge fan of Grug growing up in Australia. The original Grug book was one of my favourites. I vividly remember the images of Grug evolving from the bristly top of a tree, and imagined all the corners of his intriguing, underground home. There was something unique about Grug that captured my imagination as a five-year-old.
Grug is the only creature of his kind, and is perhaps unique for a children’s book character, as he doesnât have any family to guide him through his experiences in the world. Instead, Grug learns to solve the challenges he encounters on his own, using his creativity, inventiveness and generosity. Perhaps Grug’s special kind of independence and adventurousness is part of what makes him so appealing to a young child.
In Grug and the Rainbow, Grug adventures into the world around him – and sets out to catch all of the elusive colours of the rainbow so he can create his own. This production has been created by a group of artists that shared my childhood love of Grug – from the lovingly crafted set and puppets designed by Jonathon Oxlade; the idiosyncratic soundscapes created by DJ TR!P; to the inventive, genuine performances of the actors that bring Grug and his friends to life.
Lendlease Darling Quarter Theatre / Sydney, Australia
Casula Powerhouse Arts Centre / Casula, Australia
15 - 16 September
Civic Theatre / Wagga Wagga, Australia
22 - 23 September
Cremorne Theatre, QPAC / Brisbane, Australia
26 - 27 September
Riverside Parramatta / Parramatta, Australia
29 - 30 September
Joan Sutherland Performing Arts Centre / Penrith, Australia
3 - 4 October
Karralyka Centre / Karralyka, Australia
Burrinja Theatre / Burrinja, Australia
Capital Theatre / Bendigo, Australia
Esso BHP Billiton Wellington Entertainment Centre / Wellington, Australia
Lighthouse Studio / Warrnambool, Australia
Geelong Performing Arts Centre / Geelong, Australia
Nautilus Arts Centre / Port Lincoln, Australia
Roxbylink Auditorium / Roxby Downs, Australia
Middleback Arts Centre / Whyalla, Australia
Northern Festival Centre / Port Pirie, Australia
Chaffey Theatre / Renmark, Australia
Sir Robert Helpmann Theatre / Mount Gambier, Australia
Hopgood Theatre / Noarlunga, Australia
Meet the Cast and Creative Team
Sam is a Creative Director of Sandpit, a company that create immersive, and interactive theatre and personal experiences. Sam was the Artistic Director of The Border Project from 2002-2012, directing or co-directing all of their work during that time.
He has co-directed Ghosts Toast and the Things Unsaid (Sandpit/ Google’s Creative Lab), Eyes (Sandpit) and Skeleton with Larissa McGowan (Adelaide Festival 2013 & Dance Massive/Malthouse). Sam has worked with Australian Dance Theatre as a dramaturg and researcher. He was one of three international finalists for Rolex’s Mentor and Protégé Initiative for a mentorship with Julie Taymor in 2006. For Windmill Theatre Co, Sam has directed Plop!, Escape from Peligro Island, Grug and Grug and the Rainbow, as well as interactive experience My Room.
Matt is a Flinders Drama Centre graduate, ensemble member of award-winning independent theatre company five.point.one and a Critics’ Circle emerging artist of the year recipient. Matt has appeared in many productions for Windmill Theatre Co.
Rumpelstiltskin (co-produced with State Theatre Company South Australia [STCSA]), toured Grug through China and North America, including a one-month New York season in 2013, appeared in Grug and The Rainbow and The Girl Who Cried Wolf. Other highlights include Volpone (Or The Fox), Between Two Waves, Babyteeth, Pornography and The Give And Take (STCSA), The Front (Adelaide Cabaret Festival), Once Upon a Midnight (OzAsia Festival), The Bureau of Complaints (AJZ Productions), No Hello (Duende), Van Badham’s Notoriously Yours, The Lake, The Share and That Face (five.point.one).
Performer, Puppet Maker
Tamara has worked in numerous areas of the performing arts since 1997 including as a Director, Devisor, Maker and Singer. She has toured both nationally and internationally. She has also worked as both a performer and puppeteer for numerous shows.
Her credits include Piccasso and his Dog (Lemony S), Mr Freezy (Arena Theatre Company), Grug, Grug and the Rainbow(Windmill Theatre Co), COOP (Black Hole Theatre) and Tangle, We Built this City, Paper Planet, Tangle Weave, Forest Feast (Polyglot Theatre). Tamara is also a member of Men of Steel and was involved in their self-titled debut work, Men of Steel as well as Hard Rubbish. Her skills include making props and puppets for film, television and theatre.
Ellen graduated from Flinders Drama Centre in 2006 and has since worked extensively in theatre both within Australia and overseas. Credits include Between Two Waves, Holding the Man, Maestro (STCSA), Love, Ruby Bruise (Vitalstatistix), Wolf (Slingsby).
She has also performed in I Am Not An Animal, I Animal (The Border Project), Mr McGee and the Biting Flea (Patch Theatre Company), Grug, Girl Asleep, Big Bad Wolf, Grug and the Rainbow (Windmill Theatre Co). Ellen is a founding member of independent theatre company isthisyours? and has also developed work with independent artists and companies throughout Adelaide and Melbourne. She was involved in Goodbye, CSIRAC (Zoe Meagher) and Kids Can Get Lost (Split Second) as part of Next Wave Festival, Au Revoir Abattoir (Little Black Box), Audio Commentary (isthisyours?) and Crawl Me Blood (Aphids) as part of Adhocracy, I Left You This Way (FOLA) and The Plains (Sanctum Theatre).
Jonathon studied Illustration and Sculpture at The Queensland College of Art and has designed sets and costumes in Australia for Windmill Theatre Co, Queensland Theatre, LaBoite Theatre, Is This Yours?, Aphids, Circa, Arena Theatre Company and many more. Jonathon has also designed for venues and festivals including the Sydney Opera House, Melbourne Festival, Brisbane Festival, Asia TOPA, Adelaide Festival and Fringe, The Malthouse, Performance Space and the Queensland Art Gallery. He illustrated the picture book The Empty City for Hachette Livre/Lothian and the Edie Amelia series by Sophie Lee. Jonathon is currently the Resident Designer at Windmill Theatre Co and won his first AACTA Award for Costume Design in 2016 for his work on Windmill’s debut film, Girl Asleep. Jonathon is also a recipient of the 2017 Sidney Myer Creative Fellowship.
DJ TR!P is a multi-award winning producer, composer and performer of electronic music. Over a career spanning 20 years he has built an impressive repertoire of live compositions for his club sets, a variety of high profile events and productions.These include contemporary theatre, dance and film productions, as well as for festival openings, launches and major cultural events. He has played live at numerous national and international venues, festivals and events including The New Victory Theater (42nd St, New York), Pittsburgh International Children’s Festival, The Tank (New York), State Theater (New Jersey), Super Deluxe (Tokyo), Game On (from the Barbican Art Gallery), MONA FOMA, Adelaide’s New Years Eve’s Fireworks Countdown, DARK MOFO, The Famous Spielgeltent, Ten Days On The Island, Sydney Opera House, WOMADelaide, Adelaide Festival, Big Day Out, ACMI, Federation Square (New Years Eve), Brisbane Powerhouse, Falls Festival and many more. DJ TR!P worked with Windmill Theatre Co previously as the composer for their shows Plop! and Grug.
Chris completed his Technical Production course at the Adelaide Centre of the Arts. Since graduating, he has been working extensively and continuing to develop his experience across theatre, dance, and other live events both in Australia and overseas. Chris has worked on State Theatre Company South Australia’s The Kreutzer Sonata, Maggie Stone and Little Bird, Slingsby Theatre Company’s The Mouse, The Bird and the Sausage, Torque Show’s MALMO, The Border Project’s Half Real, Ludwig’s Fleck and Flecker and five.point.one’s Muff. Chris also worked on If There was a Colour Darker than Black, I’d Wear It, a multimedia performance project for Country Arts SA. He has worked in association with Geoff Cobham on a number of projects including creating the visual aesthetic for Force Majeure’s Never Did Me Any Harm using lights and video. Chris has been the lighting designer for Windmill Theatre Co’s Big Bad Wolf and The Story Thieves.
"Director Sam Haren has harnessed every element – Jonathon Oxlade’s design magic, DJ TR!P’s funky composition, accessible storytelling, and the puppetry itself – into a seamless whole, all performed in a tight 35 minutes: an ideal length for young attention spans."