Rosemary Myers is the Artistic Director of Windmill Pictures. In 2021, she co-created and directed Beep and Mort.

In 2015, her first feature film Girl Asleep opened the 2016 Berlinale Generation 14plus and went on to win the MIFF Age Critic Prize 2016, the Grand Jury Prize at the 2016 Seattle Film Festival, 2016 CinefestOZ Film Prize and eight AACTA Award nominations including Best Film and Best Director. In 2020, the film was nominated for the Byron Kennedy AACTA for Best Indie Film of the past decade.

Before her role at Windmill Pictures for over 14 years, Rosemary was the Artistic Director of Windmill Theatre Company. A multi-Helpmann Award nominated theatre director, her productions have toured to prestigious venues and festivals across the world, including Giffoni Film Festival, Rooftop Film Festival New York, Sydney Opera House, New York’s

New Victory Theatre and London’s Southbank Centre, among others. In 2017 she was awarded the prestigious Australia Council Theatre Award.

Jo’s debut film Michael James Rowland’s Lucky Miles was released in 2007 and won awards including the Audience Award for Best Film at Sydney Film Festival and the Special Jury Prize at the Karlovy Vary International Film Festival.

Lucky Miles was also nominated for Best Film and Best Screenplay at the 2007 AFI and IF Awards and alongside co-producer Lesley Dyer, Jo was honoured with the Best Producer award at the Asian First Awards. Her follow up film, Michael Kantor’s The Boy Castaways premiered at the Adelaide Film Festival in 2014 and on ABC television after a national release, before premiering internationally in 2015. Jo also contributed a chapter to the acclaimed feature anthology Tim Winton’s The Turning, which premiered nationally at the 2013 Melbourne Film Festival and internationally at the 2014 Berlin International Film Festival.

Matthew is an actor and writer who has worked extensively in theatre, film and television for over twenty years. As an actor, Matt has performed for Belvoir many times in productions including Cinderella, The Book Of Everything, Conversation Piece and Atlantis. His plays Old Man, Cinderella and Seventeen have also premiered at Belvoir.

Matthew has been a recipient of the Philip Parsons Fellowship (Belvoir), The Sidney Myer Creative Fellowship and the ATYP Foundation Commission Award for his play Fight With All Your Might the Zombies of the Night. The 2014 Adelaide Festival trilogy of plays with Windmill are School Dance, Big Bad Wolf and Girl Asleep which Matt adapted to screenplay and resulted in an award-winning feature film.

Jonathon has designed set and costumes for Queensland Theatre, LaBoite Theatre, isthisyours?, Aphids, Arena Theatre Company, Polyglot, The Real TV Project, Polytoxic, Men of Steel, Lemony S Puppet Theatre, Terrapin Puppet Theatre, Vitalstatistix and Barking Gecko.

He has also worked with Bell Shakespeare, The Border Project, State Theatre of South Australia, Dead Puppet Society, The Last Great Hunt, Sydney Theatre Company, The Escapists, Melbourne Theatre Company, Sandpit, Belvoir St Theatre and Windmill Theatre Co, where he is resident designer. Jonathon has received numerous awards. Most recently in 2016, Jonathon was awarded the Sidney Myer Creative Fellowship and received APDG awards for both Best Production Design and Best Costume Design for Girl Asleep, and received an AACTA award for best Costume for Girl Asleep.

In 2017, he received the Sydney Theatre Award for Best Costume Design for Mr Burns.

Andrew’s debut feature Beautiful Kate first premiered at Toronto in 2010. Andrew received the prestigious Milli Award from the Australian Cinematographers Society (ACS) as the 2010 Cinematographer of the Year for his work on the film. The film received 10 Australian Film Institute (AFI) Awards nominations including Best Film and Best Cinematography and also won the 2009 IF Award for Best Cinematography.

Andrew also shot the Emmy and BAFTA-nominated and AACTA award-winning television series The Slap, and received the ACS Award of Distinction for his work on the 2015 AACTA-winning television series Devils Playground. Andrew’s previous film The Rocket, won the Crystal Bear at the 2013 Berlin Film Festival, and Best Feature Film at the 2013 Tribeca Film Festival. His feature film The Daughter was selected for the 2015 Venice and 2015 Toronto Film Festivals and starring Geoffrey Rush, will be released theatrically in 2016.

In 1993, Karryn applied for funding to direct a short film and hired herself to cut it, realising it was the fastest way to get her break. Michelle’s Third Novel was selected to open the 32nd New York Film Festival, screening before the US premiere of Pulp Fiction.

Since graduating in 1999 from the Australian Film, Television and Radio School, Karryn has worked primarily in documentary, winning numerous awards and receiving multiple nominations from the Australian Screen Editors Association, as well as a 2015 Australian Academy of Cinema and Television (AACTA) nomination for best editing in a Feature Documentary for her work on Tender, directed by Lynette Wallworth. Karryn has also cut more than 20 short films, and her latest work Nulla Nulla was recently nominated for a Crystal Bear at the 2015 Berlin Film Festival, and an AACTA Award for best short film.

Girl Asleep is Karryn’s first feature drama.

Luke creates highly detailed soundtracks for theatre, dance and film, working across all areas of music composition, sound design, foley and sound effects editing. His work is enjoyed by audiences both nationally and around the world.

Working under his business name motion laboratories, Luke has composed and produced soundtracks for many Australian and international artists & companies. Various credits include: Carbon Field (Queensland Ballet), ʻGʼ (Australian Dance Theatre), Glow (Chunky Move), Roadkill, The Ninth Wave (The Farm), Split Second Heroes (Gabrielle Nankivell), SURGE (Dancenorth), The Maids (Sydney Theatre Company), Wildebeest, Neon Aether (Sydney Dance Company), Fugitive, School Dance and Girl Asleep (Windmill Theatre Co).

Bethany’s feature film debut came with PJ Hogan’s Mental, opposite Toni Collette, Anthony LaPaglia and Rebecca Gibney. At only six years old, she scored the role of Jaden in the US miniseries The Starter Wife playing Debra Messing’s daughter.

She also voiced the eight year old Mary Daisy Dinkle in Mary And Max, the animated feature film from Oscar-winning director Adam Elliott, which debuted at Sundance Film Festival. Bethany has studied drama at NIDA, St Martins Youth Theatre and TAFTA. She has appeared in several short films and theatre productions, and played the lead character Greta in Windmill Theatre Co’s feature film, Girl Asleep.

Harrison is best known to television audiences as the slack-jawed Oscar Bright on ABC’s Upper Middle Bogan, for which he received a 2014 Logie nomination in the category of Most Popular New Talent. He received his first taste of performance for TV by accident.

He was ‘pranked’ by his best friend on the popular children’s comedy Prank Patrol and from there has thrown himself into the world of comedy and acting with passion and enthusiasm, recently attracting the interest of major US-based management. Harrison plays Elliott in Windmill Theatre’s feature film, Girl Asleep.

Amber trained at Flinders University Drama Centre and was a recipient of the Adele Koh Scholarship to study at the Stella Adler Company & SITI Company in New York. Amber most recently performed in Banging Denmark (STC), Small Mouth Sounds (Darlinghurst), and a sold out run of The Appleton Ladies Potato Race (Ensemble).

Previous work includes North by Northwest (Kay & McLean Productions), Accidental Death of An Anarchist (STC), The Popular Mechanicals (STC/STCSA), Bliss, Picnic at Hanging Rock (Malthouse), Atlantis, Twelfth Night, and Angels in America (Belvoir). She was also a part of STC’s Actors Company. Amber’s screen credits include the award winning feature film Girl Asleep, for which she was nominated for Australian Film Critics Association’s 2017 Best Supporting Actress Award.

She can next be seen in the upcoming SBS mini-series The Hunting. Amber has also won two Helpmann Awards for Best Supporting Actress for work in Windmill’s Girl Asleep and School Dance.

Eamon graduated from National Institute of Dramatic Art (NIDA) in 2007 and has worked extensively in film, television and theatre. His film credits include Lucky Country, Blessed, Red Dog, X, Chained, Careless Love, Love Is Now, Lion and Girl Asleep.

In television, Eamon has worked on numerous productions including Steven Spielberg’s The Pacific; The Killing Field; and most recently in Carlotta. He has worked for the leading Australian theatre companies, appearing in productions for Sydney Theatre Company, Belvoir Theatre Company, Windmill Theatre Co and Griffin Theatre Company.

Tilda’s portrayal of Billie in the feature film 52 Tuesdays is widely considered one of the breakout performances from the 2014 Sundance Film Festival. Variety called her “a thoroughly beguiling newcomer blessed with offbeat beauty and natural charm.”
The film went on to win the award for Best Director in the World Dramatic Competition.

Tilda’s second feature, One Eyed Girl, sees her playing the title character in this cinematic thriller, also released in 2015. Tilda played the role of Huldra in director Rosemary Myers’ Girl Asleep, which premiered at the 2015 Adelaide Film Festival. Tilda made her television debut in the much-anticipated mini-series The Kettering Incident, alongside Elizabeth Debicki and Matthew Le Nevez.

At nineteen years old, Maiah resides between Adelaide and Melbourne, working broadly across professional and personal creative projects. Her professional screen debut was in Windmill’s widely acclaimed feature Girl Asleep from director Rosemary Myers.

With most of her background situated in the theatre scene, Maiah has undertaken several training opportunities, including participating in NIDA short courses, Estil vocal coaching, 16th Street Studio and Howard Fine workshops and, recently, an intensive masterclass with Larry Moss. This year, she will lead in Windmill ’s new work, Amphibian.

In addition to acting, Maiah is heavily involved in Adelaide’s filmmaking and writing scene – where she works with other artists to tell unique coming-of-age stories. Her other passions include spoken word poetry, physical theatre, singing and directing.

Imogen studied jazz and classical ballet for 12 years and her education as a music/drama student supports her career as an actor. Recent success includes playing Jasmine in the acclaimed feature film, 52 Tuesdays, directed by Sophie Hyde.

Filming took place over the course of a year and Imogen’s role, while confronting, utilised the range of her acting abilities. Imogen played Genevieve in Windmill Theatre’s feature film, Girl Asleep.