Rosemary Myers is the Artistic Director of Windmill Pictures. In 2021, she co-created and directed Beep and Mort.

In 2015, her first feature film Girl Asleep opened the 2016 Berlinale Generation 14plus and went on to win the MIFF Age Critic Prize 2016, the Grand Jury Prize at the 2016 Seattle Film Festival, 2016 CinefestOZ Film Prize and eight AACTA Award nominations including Best Film and Best Director. In 2020, the film was nominated for the Byron Kennedy AACTA for Best Indie Film of the past decade.

Before her role at Windmill Pictures for over 14 years, Rosemary was the Artistic Director of Windmill Theatre Company. A multi-Helpmann Award nominated theatre director, her productions have toured to prestigious venues and festivals across the world, including Giffoni Film Festival, Rooftop Film Festival New York, Sydney Opera House, New York’s

New Victory Theatre and London’s Southbank Centre, among others. In 2017 she was awarded the prestigious Australia Council Theatre Award.

Jonathon has designed set and costumes for Queensland Theatre, LaBoite Theatre, isthisyours?, Aphids, Arena Theatre Company, Polyglot, The Real TV Project, Polytoxic, Men of Steel, Lemony S Puppet Theatre, Terrapin Puppet Theatre, Vitalstatistix and Barking Gecko.

He has also worked with Bell Shakespeare, The Border Project, State Theatre of South Australia, Dead Puppet Society, The Last Great Hunt, Sydney Theatre Company, The Escapists, Melbourne Theatre Company, Sandpit, Belvoir St Theatre and Windmill Theatre Co, where he is resident designer. Jonathon has received numerous awards. Most recently in 2016, Jonathon was awarded the Sidney Myer Creative Fellowship and received APDG awards for both Best Production Design and Best Costume Design for Girl Asleep, and received an AACTA award for best Costume for Girl Asleep.

In 2017, he received the Sydney Theatre Award for Best Costume Design for Mr Burns.

Quincy Grant writes as a freelance composer on commissions from musicians around Australia and internationally. He has worked in theatre with various companies including Brink Productions, Slingsby, Flying Penquin and Windmill Theatre Co.

He has also worked in film for various production houses, and plays in many genres from rock to new music and, most recently, gypsy music with Golonka, and loser songs with Crash Calypso.

A multi-award-winning artistic director and theatre maker, Alirio Zavarce was born in Caracas, Venezuela and migrated to Australia in 1992, graduating from the Flinders University Drama Centre in 2000. He has numerous performance credits with theatre companies across Australia including Sydney Theatre Company, Victorian Opera, Malthouse and State Theatre Company South Australia.

Alirio is the Artistic Director of AJZ Productions, True North Youth Theatre Ensemble and No Strings Attached Theatre of Disability. Alirio wrote and directed Trapped and Sons & Mothers, and wrote and performed in the semi-autobiographical The Book of Loco. He also directed A Kid Like Me as part of the 2015 Come Out Festival. He represented Australia in the Worlds Festival for Children’s Theatre in Canada in 2016, and won both a Ruby Award and an Awgie Award in the same year.

Alirio is currently developing three works: The Tower of Babel, The Book of Errors and I Forgot to Remember To Forget, which premiered at the True Colours Festival in Singapore, and will make its Australian premiere in 2019.

David Heinrich is a Flinders Drama Centre graduate. In 1991, he got his first job hosting Couch Potato on the ABC. David’s theatre credits include The Smile Off Your Face (Ontroerend Goed), The Second Hurricane (ASO), Boy Hamlet (Robyn Archer).

He has also performed in Mr McGee and the Biting Flea (Patch) as well as Escape from Peligro Island and Boom Bah! (Windmill Theatre Co). As a founding member of The Border Project his credits include Highway Rock n Roll Disaster, Please Go Hop!, Trouble on Planet Earth and Vs Macbeth, Half Real (Malthouse, Country Arts SA and Melbourne Festival).

David also and composed and performed in The Border Project’s I Am Not An Animal.

Louisa’s professional theatre credits include Actor’s At Work (Bell Shakespeare Company) and Boom Bah! (Windmill Theatre Co). Louisa has also been a part of and performed in numerous productions for Flinders Drama Centre.

These include Metamorphoses, Clark in Sarajevo, The Rope Project, The Hulk Fitzjames, Flight, Loveplay, A Dream Play, Push Up, 21 Short Scenes on Getting There. Her television credits include My Place and East West 101. Louisa has also appeared in films including She Loves Me, She Loves Me Not, Two Fists One Heart and Spike Up.