The most misunderstood character in fairytale history.
Presented by Windmill Theatre Co in association with the Adelaide Festival Centre.
He’s the most misunderstood character in fairytale history. Put simply he has no friends. But then he does have incredibly sharp teeth, yellow eyes and his own ideas about personal hygiene, and he is the infamous Big Bad Wolf after all. No one likes him. Luckily one girl is brave enough to double check this wolf’s bad press and an unlikely friendship is born.
This hilarious, table-turning tale will have you wondering why you were so scared in the first place.
Matthew is an actor and writer who has worked extensively in theatre, film and television for the past 19 years. As an actor, Matt has performed for Belvoir many times, most recently in productions Cinderella, The Book Of Everything and Conversation Piece.
His film credits include Girl Asleep, The Great Gatsby, Australia, You Can’t Stop the Murders and Moulin Rouge. Matt’s collaboration with Windmill has resulted in four plays with Girl Asleep being the most recent. Its predecessors are the Helpmann and Sydney Theatre Awards winning School Dance and Big Bad Wolf. Matt’s feature film adaptation of his play Girl Asleep (supported by The Hive Production Fund) debuted at the Adelaide Film Festival and went on to open the 2016 Generation 14 Plus Program at Berlin International Film Festival. Matt’s latest play Fight with All Your Might the Zombies of The Night, winner of the 2015 Foundation Commission Award, will premiere at ATYP in November 2016. Matt was among the seven Sidney Myer Creative Fellows chosen in 2012.
Under Rose’s leadership as Artistic Director, Windmill creates and presents work inspired by the vibrancy, sophistication and inventiveness of young people and the exhilarating challenges they pose to creating theatre of relevance in this modern time.
Rose is a multi-Helpmann Award nominated director, her productions regularly visit leading stages and festivals around Australia and the world, including the Sydney Opera House, Hong Kong’s Arts and Leisure Centre and New York’s New Victory Theatre. Her directing credits for Windmill include Pinocchio, The Wizard Of Oz, Fugitive, School Dance, Big Bad Wolf and Girl Asleep. Prior to Windmill, Rosemary was the Artistic Director of Arena Theatre Company and Artistic Director of Queensland Performing Arts Centre’s Out of the Box Festival in 2010.
Jonathon studied Illustration and Sculpture at The Queensland College of Art and has designed sets and costumes in Australia for Windmill Theatre Co, Queensland Theatre, LaBoite Theatre, Is This Yours?, Aphids, Circa, Arena Theatre Company and many more.
Jonathon has also designed for venues and festivals including the Sydney Opera House, Melbourne Festival, Brisbane Festival, Asia TOPA, Adelaide Festival and Fringe, The Malthouse, Performance Space and the Queensland Art Gallery. He illustrated the picture book The Empty City for Hachette Livre/Lothian and the Edie Amelia series by Sophie Lee. Jonathon is currently the Resident Designer at Windmill Theatre Co and won his first AACTA Award for Costume Design in 2016 for his work on Windmill’s debut film, Girl Asleep. Jonathon is also a recipient of the 2017 Sidney Myer Creative Fellowship.
Harry is a student at the Victorian College of the Arts. Still in the early stages of his career, he has composed music for theatre, film, video art and community arts. His work has been shown in a range of venues and festivals nationally and internationally.
These include Melbourne Theatre Company, QPAC’s Out Of The Box Festival, Adelaide Festival Centre, Melbourne Fringe, Adelaide Film Festival and the Sheffield Documentary Festival. In 2014 and 2015 he was commissioned to write the score for the Adelaide Fringe large scale outdoor performances. His debut feature film Girl Asleep premiered at the 2015 Adelaide Film Festival.
Chris completed his Technical Production course at the Adelaide Centre of the Arts. Since graduating, he has been working extensively and continuing to develop his experience across theatre, dance, and other live events both in Australia and overseas.
Chris has worked on State Theatre Company South Australia’s The Kreutzer Sonata, Maggie Stone and Little Bird, Slingsby Theatre Company’s The Mouse, The Bird and the Sausage, Torque Show’s MALMO, The Border Project’s Half Real, Ludwig’s Fleck and Flecker and five.point.one’s Muff. Chris also worked on If There was a Colour Darker than Black, I’d Wear It, a multimedia performance project for Country Arts SA. He has worked in association with Geoff Cobham on a number of projects including creating the visual aesthetic for Force Majeure’s Never Did Me Any Harm using lights and video. Chris has been the lighting designer for Windmill Theatre Co’s Big Bad Wolf and The Story Thieves.
Carol Wellman Kelly
Carol was made in Australia and studied dance at the Victorian College of the Arts. She has extensive experience in performing, teaching and choreographing both nationally and internationally. From 1992 – 1999, she worked as a freelancer in London. She was the assistant director for Garry Stewart and ADT (2000-2008), rehearsal director for Tasdance, Artistic advisor and Project manager Restless dance Theatre, Movement lecturer Flinders University Drama department, member Board of Directors, Australia Council, Ausdance and SA and Audio Describer for theatre and dance. Carol’s work with Windmill Theatre Co includes The Wizard of Oz, Girl Who Cried Wolf, Pinocchio,Big Bad Wolf and Rumpelstiltskin.
Patrick has previously worked on Windmill productions including The Wizard of Oz, Boom Bah! and Big Bad Wolf. For floogle, an independent company Patrick co-founded, he has performed in One Long Night in the Land of Nod, Black Crow Lullabies.
His portrayal of Lenny in floogle’s The Homecoming earned him an Advertiser Oscart Award. For State Theatre Company South Australia Patrick has appeared in Blasted, Buried Child, Three Sisters, The Misanthrope, Lion Pig Lion, Equus, and The Dark Room. Patrick’s television credits include Blue Heelers, Stingers, Fergus McPhail and McLeod’s Daughters. Film credits include The King is Dead (Rolf De Heer) and Angela’s Decision (Matt King).
Emma J Hawkins
Emma has a flair for flamboyant, serious and whimsical productions. This plays to her strengths as a feisty, charismatic thespian with a knack for subversive, escapist comedy, high-octane dramatics and brilliantly versatile circus showcases.
Her movements between the many worlds of fantasy, musical and children’s genres credit her with storytelling-based acrobatics, singing, dancing or slapstick. She is equally at home in the ironic, contemplative tragedies of Shakespeare, bringing joy and laughter as the Fool in King Lear, climbing the heights as a tap dancing, stilt walking acrobat in the critically acclaimed Circus Oz or sinking into the dark depths of a murderess in classics like Jean Genets The Maids.
Ellen graduated from Flinders Drama Centre in 2006 and has since worked extensively in theatre both within Australia and overseas. Credits include Between Two Waves, Holding the Man, Maestro (STCSA), Love, Ruby Bruise (Vitalstatistix), Wolf (Slingsby).She has also performed in I Am Not An Animal, I Animal (The Border Project), Mr McGee and the Biting Flea (Patch Theatre Company), Grug, Girl Asleep, Big Bad Wolf, Grug and the Rainbow (Windmill Theatre Co). Ellen is a founding member of independent theatre company isthisyours? and has also developed work with independent artists and companies throughout Adelaide and Melbourne. She was involved in Goodbye, CSIRAC (Zoe Meagher) and Kids Can Get Lost (Split Second) as part of Next Wave Festival, Au Revoir Abattoir (Little Black Box), Audio Commentary (isthisyours?) and Crawl Me Blood (Aphids) as part of Adhocracy, I Left You This Way (FOLA) and The Plains (Sanctum Theatre).
"An education in how to charm kids and adults in fifty fun minutes."
"South Australia's Windmill Theatre Company are masters of their trade, and Big Bad Wolf has all the hallmarks of people who know exactly what they're about."
THE WEST AUSTRALIAN
"Windmill’s collaboration with Whittet continues to thrive... producing zany works that are also open-hearted and unfailingly positive. A whimsical, gently persuasive tale of friendship and acceptance."