Part fairytale and part lipstick-smeared vigilante escapade.
Part of the Trilogy
Greta Driscoll is chronically shy and privately falling apart.
Frozen in the spotlight of her fifteenth birthday, things go from bad to worse when a stranger arrives propelling her into a parallel place; a latent world that’s weirdly erotic, ultra violent and thoroughly ludicrous. Part fairytale and part lipstick-smeared vigilante escapade, this is a girl’s own adventure where heroism and gender implode in a unique exposé of the sisterhood.
Matthew is an actor and writer who has worked extensively in theatre, film and television for the past 17 years. Matt’s first play Twelve was workshopped at the National Playwrights Conference in Perth, 2006. His second was Silver, directed by Ben Winspear for Belvoir downstairs in which he also performed solo. Matt’s collaboration with Windmill has resulted in four plays and one feature film with Girl Asleep being the most recent, in addition to Fugitive, School Dance and Big Bad Wolf. Matt’s two hander Cinderella garnered outstanding reviews at the close of 2014 in the Belvoir downstairs space and his most recent play Seventeen premiered in the upstairs theatre in 2015.
Under Rose’s leadership as Artistic Director, Windmill creates and presents work that is inspired by the vibrancy, sophistication and inventiveness of young people and the exhilarating challenges they pose to creating theatre of genuine relevance in this modern time. A multi-Helpmann Award nominated director, her productions regularly visit leading stages and festivals around Australia and the world, including the Sydney Opera House, Hong Kong’s Arts and Leisure Centre and New York’s New Victory Theatre. Her directing credits for Windmill include Pinocchio, The Wizard Of Oz, Fugitive, School Dance, Big Bad Wolf and Girl Asleep. Prior to Windmill, Rosemary was the Artistic Director of Arena Theatre Company and Artistic Director of Queensland Performing Arts Centre’s Out of the Box Festival in 2010.
Jonathon studied illustration and sculpture at Queensland College of Art, and since leaving he has trained with Kid Praha in the Czech Republic focussing on puppetry. As a theatre designer Jonathon has designed set and costumes for Queensland Theatre Company, State Theatre Company of South Australia, Circa, Kooemba Jdarra, Zen Zen Zo, Arena Theatre Company, Polyglot, Bell Shakespeare, Polytoxic, The Escapists, The Border Project and LaBoite Theatre. Venues and festivals include Sydney Opera House, Melbourne Festival, Brisbane Festival, Adelaide Fringe, Sydney Theatre Company, Malthouse and Queensland Art Gallery. Jonathon is Windmill Theatre Co’s Resident Designer.
Luke creates highly detailed soundtracks for theatre, dance and film, working across all areas of music composition, sound design, foley and sound effects editing. Working under his business name motion laboratories, Luke has composed and produced soundtracks for many Australian and international artists & companies. Various credits include: ʻGʼ (Australian Dance Theatre), Double Think (Byron Perry), Glow (Chunky Move), I left my shoes on warm concrete and stood in the rain (Gabrielle Nankivell), The Maids (Sydney Theatre Company), Wildebeest (Sydney Dance Company), Fugitive, School Dance and Girl Asleep (Windmill Theatre Company).
Richard is a freelance lighting designer who has lit productions for Melbourne Theatre Company, Sydney Theatre Company, Malthouse Theatre, Victorian Opera, Windmill Theatre Co, Arena Theatre Company, NICA, The Darwin Festival, Stuck Pig’s Squealing, Chambermade, Rawcus, Red Stitch, Polyglot, Melbourne Worker’s Theatre, Aphids and many productions at La Mama Awards. Richard has won 4 Green Room Awards including the Association’s John Truscott Prize for Excellence in Design (2004). He has also been nominated for 7 other Green Room Awards.
An avid maker, performer, educator and collaborator, Gabrielle has spent over a decade creating and performing for a worldwide audience. Her choreographic work has been presented in 10 countries across 3 continents. She was also co-founder/director of the project company OX (Belgium/Slovenia) with Jurij Konjar from 2003-2007.
Gabrielle’s performance credits with renowned international companies and artists include Ultima Vez/Wim Vandekeybus (Belgium), Raul Maia (Portugal), Thomas Steyaert (Belgium), Alexander Baervoets (Belgium), Aaben Dans (Denmark), Splintergroup/Animal Farm Collective (Australia/Germany), Luke Smiles, Regurgitator, Daniel Jaber & Australian Dance Theatre amongst others.
Amber is an award-winning actor who has worked extensively in theatre for the past 12 years. She graduated from Flinders University in 2002 and has since worked across the country and abroad with a host of leading companies including Melbourne Theatre Company, Malthouse Theatre, Sydney Theatre Company, Belvoir Theatre, State Theatre Company of SA, Queensland Theatre Company and Windmill Theatre Co.Amber’s most recent theatre credits include MTC’s North By Northwest and Windmill’s Girl Asleep and School Dance, for which she won the 2013 Helpmann Award for Best Supporting Actress in a Play. She was a founding member of Sydney Theatre Company’s Actors Ensemble, appearing in several productions including The War Of The Roses, Gallipoli, The Lost Echo and The Season At Sarsaparilla.
Ellen has worked extensively in theatre throughout Australia and overseas, with productions including Between Two Waves, Holding the Man, Maestro (State Theatre Company of SA), Love, Ruby Bruise (Vitalstatistix), Wolf (Slingsby), I Am Not An Animal, I, Animal (The Border Project), Grug, Girl Asleep, Big Bad Wolf, Grug and the Rainbow (Windmill Theatre Co), Mr McGee and the Biting Flea (Patch Theatre Company). Ellen is also a founding member of independent theatre company isthisyours? whose productions include Nathalie Ribout, Make Me Honest, Make Me Wedding Cake, Best We Forget, You Wanna Talk About It and The Awkward Years.
Original season presented by Windmill Theatre Co and 2014 Adelaide Festival. This project received special funding from Major Commissions and Festival Commissioning Fund Through Arts SA and 2014 Adelaide Festival.